Album Review: phiasco - Kessel (2022)
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Picture Credit: Mengi Phiasco |
phiasco - Kessel
Release Date: June 05, 2022
Label: Fuzzermocker Records / selfrelease
Format: Vinyl / CD / Digital
Duration: 45:30
Genre: Fuzz Rock / Heavy Rock
Origin: Köllefornia (Cologne), Germany
If you don'like to read my rambling, the music-focused part begins after the second video.
Three years ago, phiasco from German city Cologne played a concert at Immerhin Würzburg together with the three dead men from Bone Man. As a result of this event, a little artist introduction was published on MangoWave.
Six years after the release of phiasco's debut album "Vieh" (German: "beast" or "animal", derogatory term for livestock, and homophone with φ), the quartet has published their sophomore longplayer "Kessel" (German: "kettle" or "cauldron", also colloquial word for a car or a motor vehicle).
Between gasoline and beer, the band and director Felix Rudolph provided an exciting little narrative in which not only the 'Lucky Loop' but also the "Kessel" play a central role. Hence, the decision how to call the upcoming album was terminal. All that was needed now was money. But as John L. and Paul McC. have told us before you can get by with a little help from your friends. And thus, a crowdfunding campaign made this album possible.
Rough like edgy space debris clashing into a satellite, the song ends and with hallucinatory fuzz, the A-Side's longest song 'Womb' reveals itself from the rubble. This meditative tune about reincarnation and eternity is a thrilling invitation to stargazing.
It is then followed by the opposite, the album's flagship, the phiasco-est of the phiasco songs: 'Black Widow'. The track about a (literal) maneater convinces the hearing with a dynamic - kind of krauty - verse, with an arc of suspense hot as the devil's lighter, and an anthemic chorus that makes you bow down and worship the Black Widow. The final bridge only intensifies the chorus' effect.
And after this massive banger has left nothing behind but hot ashes, phiasco finalize their second album via an intertextual reference to their debut "Vieh". As the first album ended with the longtrack 'Phisco', the sophomore work ends with 'Phisco II' - again the album's longest song. The last track fulfills all the criteria for a great encore - atmospheric structure, catchy chorals, a nasty break, and monster of a finale.
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